6.4/10
1,322
25 user 78 critic

The Happy Prince (2018)

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2:11 | Trailer
The untold story of the last days in the tragic times of Oscar Wilde, a person who observes his own failure with ironic distance and regards the difficulties that beset his life with detachment and humor.

Director:

Rupert Everett

Writer:

Rupert Everett
Reviews
Popularity
81 ( 37)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rupert Everett ... Oscar Wilde
Colin Firth ... Reggie Turner
Emily Watson ... Constance Wilde
Colin Morgan ... Alfred Bosie Douglas
Edwin Thomas ... Robbie Ross
Tom Wilkinson ... Fr Dunne
Anna Chancellor ... Mrs. Arbuthnott
Julian Wadham ... Top Hat
Béatrice Dalle ... Café Manager
Antonio Spagnuolo Antonio Spagnuolo ... Felice (as Antonio Spagnulo)
André Penvern ... Mr. Dupoirier
Franca Abategiovanni Franca Abategiovanni ... Felice's Mother
Thierry de Coster Thierry de Coster ... Henri The Waiter
Joshua McGuire ... Ambrose Smithers
Kit Lloyd Kit Lloyd ... Undergraduate
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Storyline

In a cheap Parisian hotel room Oscar Wilde lies on his death bed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross, who tried and failed to save him from himself. Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love. Written by Beta Film GmbH

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK | Belgium | Italy | Germany

Language:

English | Italian | French

Release Date:

24 May 2018 (Germany) See more »

Also Known As:

Szczesliwy ksiaze See more »

Filming Locations:

Bavaria, Germany See more »

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Box Office

Opening Weekend:

€208,502 (Italy), 15 April 2018, Limited Release

Opening Weekend USA:

$38,886, 14 October 2018, Limited Release

Gross USA:

$58,533, 18 October 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

-The film gained several 5-star reviews in England, with plaudits such as "A masterpiece", "A magnificent achievement", and "A powerful parable of passion and redemption"; but the film was ignored by some major distributors, being shown instead in smaller art-house venues. See more »

Goofs

Oscar was well known to have bad teeth and discoloration from the application of mercury. Rupert Everett's set of choppers do not reflect this. See more »

Connections

Featured in Projector: The Happy Prince (2018) See more »

Soundtracks

The Boy I Love is Up In The Gallery
Performed by Rupert Everett
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User Reviews

 
Arresting and heartfelt
12 September 2018 | by hughrcarsonSee all my reviews

Oscar Wilde cuts something of a forlorn tragic figure in Rupert Everett's excellent biopic, The Happy Prince.

Personal treatment that Wilde deems to have been hugely unjust has built up much resentment in the heart of this once so carefree flamboyant wordsmith.

Consequently exiled to the shores of France and then further afield, he lives out his final years begging for handouts and favours from those he knows and loves. Those, that is, that haven't turned their back on the now disgraced writer.

Everett's film focuses upon a man whose incarceration and subsequent humiliation on charges of sodomy and gross indecency - following his lewd bordering on nefarious behaviour (in the eyes of the law) - have left him near destitute; a far cry from the opulent lifestyle that once he had led.

The Happy Prince is built loosely around Wilde reciting his fairy tale of the same name to both his own biological sons - during happier married times - and latterly on his death bed to the rag tag 'family' of young urchins that he had befriended.

Wilde - under his newly acquired guise of Melmoth - has a kind of morbidly humorous fascination with both the hopelessness of the predicament in which he now finds himself, and with the plethora of men that continue to fawn over him.

A period piece The Happy Prince may essentially be, but there's a strongly contemporary feel to the film's at times bewitching cinematography, switching neatly and expertly by way of multiple rapid cross fades between Wilde's past and present in an effort to build a picture of - and emphasise the massive disparity between - 'now' and then.

Everett's stupendous performance as Wilde is both arresting and heartfelt, whilst there are meaningful contributions from Colin Firth as Wilde's good friend Reggie, and from Colin Morgan and Edwin Thomas as Bosie and Robbie, respectively, the two mainstays in Wilde's love life who continue to compete fiercely for his attentions, and between whom there is absolutely no love lost.

As for Emily Watson's portrayal of Constance, as solid as it is, one can't help but think that it remains a little peripheral to the film's narrative at times. Perhaps Everett could have made a little more of the clearly strained relationship that had existed between the two, and the impact that this had had upon their children?

It seems that Wilde was indeed harshly dealt with, and laws or no laws, would have had rightful justification to feel aggrieved at his treatment at the hands of the rather puritanical overreaching government of the time.

That said, Everett's film seems intent to paint Wilde not as some sort of saintly martyr, but as a charming but deeply flawed man with a propensity for making poor life decisions. A man who had flown too close to the sun, and who perhaps had been more than a little guilty of using and abusing those that knew and loved him so much for his own personal gain.

The Happy Prince, whilst at times cheeky and playful in its outlook, never strays too far from its melancholic roots in its elegantly crafted, poignant regaling of the final days of the late great Oscar Wilde.


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