Ernest 'Stick' Stickley returns from prison, and very soon he gets involved with his old friend in a drug-running deal that goes sour. Hired by a rich investor, he tries to walk the line, ... See full summary »
New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky stumbles across a mob murder with government ties, and responds by assembling his downtrodden fellow investigators (Sharky's "machine") to find the leaders and bring them to justice before they kill off all his partners and witnesses, including Sharky himself.Written by
Actress Stephanie Beacham was reportedly going to be tested for the lead female role of Dominoe in this film by director Burt Reynolds according to the 22nd December 1980 edition of show-business trade paper 'The Hollywood Reporter'. The part in the end was cast with actress Rachel Ward. See more »
On the boat, Smiley tells Sharky, "When you went to see the man, you really pissed him off... you should have just turned[Dominoe] in. She'd be dead, but Nosh, Jo Jo and all your friends would be alive." But the way the movie is edited, Nosh and Jo Jo were killed before Sharkey went to see Victor to tell him Dominoe is still alive. See more »
You know Frisco, when we used to flush the toilet upstairs, we always wondered where it came to...
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One of the best (if not the best) films Reynolds ever made
Superb, brutal, hard-boiled crime drama starring Burt Reynolds as a burned-out Atlanta cop transferred to the absolute slime hole of Atlanta's vice department after a drug deal turns sour. He's assigned to watch a high-class prostitute (Rachel Ward) and eventually gets caught up in some political double-dealing.
Superb action and a serious performance by Reynolds make this one a winner. It's also a complete change from the silly, lighter stuff that Reynolds had been doing for years prior to this. His performance was waning somewhat and this was a great way for him to prove he still had it.
One of the things I love about this movie is the texture of grit and sleaze. It really feels like a brutal, hellhole world that these guys live in. At the same time, the film finds ways to interject humor at the coolest moments. Henry Silva's villain is another strong point. There is a moment near the end where you see his gasping and wheezing silhouetted form, rasping out Sharky's name. It's a hard image to shake from your mind.
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